Sarah Schneiderman
Artist using non-recyclable trash and repurposed materials to investigate social and political issues
"Not Her Body (Indiana Abortion Access Map)" intricately weaves medical debris, plastic, thread onto a birdseed bag to explore reproductive rights. Featuring a striking quote by Indiana state Rep. John Jacob, the artwork prompts reflection on autonomy. The birdseed bag, adorned with the state bird, symbolizes identity and life's creation. Troll dolls and a baby doll add depth, representing the multifaceted nature of reproductive rights. The assemblage investigates abortion's complexities.
This artwork explores the consequences of Missouri's anti-abortion trigger law after SCOTUS overturned Roe v. Wade. It uses a map of Missouri made from non-recyclable medical debris to symbolize the lingering impact of the legislation. The use of medical debris emphasizes the tangible effects on healthcare. Religious symbols overlay the map, referencing a lawsuit against the MO legislature by 13 religious and community leaders.
This one-of-a-kind assemblage comprises letters from plastic and other packaging, medical debris, and thread on fabric. The letters spell out a quote from Oklahoma Attorney General John O'Connor after the United States supreme court overturned Roe v. Wade on June 24, 2022. "The womb is now, in Oklahoma, the safest place for a child to be." (21.5 X 43")
"Not Her Body (Indiana Abortion Access Map)" intricately weaves medical debris, plastic, thread onto a birdseed bag to explore reproductive rights. Featuring a striking quote by Indiana state Rep. John Jacob, the artwork prompts reflection on autonomy. The birdseed bag, adorned with the state bird, symbolizes identity and life's creation. Troll dolls and a baby doll add depth, representing the multifaceted nature of reproductive rights. The assemblage investigates abortion's complexities.